The Long Day Closes | |
Director: | Terence Davies |
Producer: | Olivia Stewart |
Starring: | Marjorie Yates Leigh McCormack Anthony Watson Nicholas Lamont Ayse Owens |
Music: | Bob Last Robert Lockhart |
Cinematography: | Michael Coulter |
Editing: | William Diver |
Studio: | British Film Institute Film Four International |
Distributor: | Mayfair Entertainment[1] |
Runtime: | 85 minutes |
Country: | United Kingdom |
Language: | English |
The Long Day Closes is a 1992 British drama film written and directed by Terence Davies and starring Marjorie Yates, Leigh McCormack, Anthony Watson, Nicholas Lamont and Ayes Owens. It was entered into the 1992 Cannes Film Festival.[2]
The film is set in Liverpool in the mid-1950s. The story concerns a shy twelve-year-old boy, Bud, and his loving mother and siblings. He lives a life rich in imagination, centred on family relationships, church, and his struggles at school. Music and snatches of movie dialogue allow him to enrich his narrow physical environment. "Together these fragments", wrote Stephen Holden in The New York Times, "evoke a postwar England starved for beauty, fantasy and a place to escape."[3]
The film uses 35 pieces of music, including renditions of songs by Nat King Cole.
Critic David Thomson in his April 2007 review of the film in the British Film Institute's Sight & Sound magazine draws attention to the music that was used in the film, in particular "at the end of the film ... that mackerel sky and Sir Arthur Sullivan's 'The Long Day Closes' itself"[4] sung by Pro Cantione Antiqua.[5]
The film was filmed in sets built in Rotherhithe London at Sands Films Studio under the meticulous instructions of the director.
On the review aggregator website Rotten Tomatoes, the film has an 81% approval rating based on reviews from 21 critics, with an average rating of 7.60 out of 10.[6] On Metacritic, the film received a weighted average score of 85/100 based on 15 critics, indicating "universal acclaim".[7]
A 2009 appreciation by Dennis Lim said:
"Together these fragments", wrote Stephen Holden in The New York Times, "evoke a postwar England starved for beauty, fantasy and a place to escape...The Long Day Closes is filled with surreal, expressionistic touches that lend it the aura of a phantasmagoric cinematic poem."
On IndieWire's 2022 'The 100 Best Movies of the 90s' list, the film was crowned the ninth best film of its decade. Critic David Ehrlich writes "Davies’ fading slipstream of a film drifts through the rain and rubble of postwar England with the meticulousness of a Wes Anderson movie, eventually freezing over into a delicate snow-globe that swirls the pain of repression into the pleasure of self-discovery."[8]
Year | Award | Category | Nominee | Result | |
---|---|---|---|---|---|
The Long Day Closes | [9] | ||||
1992 | Best Screenplay | ||||
1992 | Valladolid International Film Festival | Golden Spike | |||