Media Composer Explained

Media Composer
Avid Media Composer
Developer:Avid Technology
Latest Release Version:2024.6
Operating System:
  • Windows 11 64-bit 22H2 or later (Professional and Enterprise)
  • Windows 10 64-bit 22H2 or later (Professional and Enterprise)
  • macOS 12.x14.5.x
Genre:Video editing software
License:Proprietary
Website:Avid Media Composer

Avid Media Composer is a video editing application or non-linear editing software solution (NLE) developed by Avid Technology. Since its initial adoption in the 1990s, Media Composer has become the dominant non-linear editing system used by Hollywood film studios, broadcast television networks, and streaming service productions.

Media Composer is the top NLE used by the world's elite editors in Hollywood films, in broadcast television, in documentary and unscripted narrative, so is often referred to as the industry standard for video editing. Much of its design, implementation, and terminology has been derived from workflows in these filmmaking and broadcast industries.

History

Media Composer was initially released in 1989 as Avid/1, an offline editing system on the Macintosh II. According to one of the company's founders Eric Peters, most prototypes of "The Avid" were built on Apollo workstations. At some point, Avid demoed one of their products at SIGGRAPH.

Says Peters, "Some Apple people saw that demo at the show and said, 'Nice demo. Wrong platform!' It turned out they were evangelists for the then new Macintosh II (with six slots). When we got back to our office (actually a converted machine shop) after the show, there was a pile of FedEx packages on our doorstep. They were from Apple, and they contained two of their prototype Macintosh II machines (so early they didn't even have cases, just open chassis). Also there were four large multisync monitors. Each computer was loaded with full memory (probably 4 megs at the time), and a full complement of Apple software (pre-Claris). That afternoon, a consultant knocked on our door saying, 'Hi. I'm being paid by Apple to come here and port your applications from Apollo to Macintosh.' He worked for us for several weeks, and actually taught us how to program the Macs."
At the time, Macs were not considered to be fast enough for video purposes. The Avid engineering team, however, managed to get 1,200 kilobytes per second, which allowed them to do offline video on the Macs.

Features

Key features

Color correction

Avid Symphony has a strong history with broadcast users because much of its design and implementation came from the scopes, monitoring, and terminology that was familiar to the television industry's online mastering process. It has since grown to include Advanced/Secondary/Relational Color Correction and Universal HD Mastering.

Avid Symphony used to be a separate product from Media Composer, purchased as a standalone system for mastering. Beginning with Media Composer 7, Symphony became integrated within Media Composer as a paid option. In 2014 when Media Composer 8 was launched along with Avid's subscription licensing, the paid option included monthly and annual subscription licenses.

Software protection

The software used to be protected by means of "blesser" floppy, tied to the Nubus's TrueVista board (meaning that if the board is replaced, a new "blesser" floppy comes with the board), and later with USB dongles. As of version 3.5 the dongle is optional, and existing users may choose to use software activation or keep using their dongles, while new licenses are sold exclusively with software activation. The software ships with installers for both Mac and Windows and can physically be installed on several computers, allowing the user to move the software license between systems or platforms depending on the licensing method.

Licensing options

There are currently four versions of Media Composer.

Media Composer First is a freeware version that allows users to publish completed works directly to the internet.

Media Composer, Media Composer Ultimate, and Media Composer Enterprise are paid licenses, each one includes access to more features respectively.

User Interface

The Avid Media Composer user interface has seen many changes and upgrades over the years. Early versions focused on creating somewhat of a digital representation of the film editing process. The idea of organizing clips using bins was a familiar concept, so it was easy for editors to migrate from the flatbed editing world into Avid's digital interface. Also familiar was the Source/Record window which was seen in KEM and Steenbeck systems.

Through the 1990's the interface saw practical upgrades which were made in collaboration between its designers who were also working editors, professional editors working in Hollywood, and at network television studios. The interface design remained decidedly plain and two-dimensional, focused more on clip management in the Timeline Window, than on UI colors and buttons.

Crossing Y2K and into the early 2000's with Media Composer 10, 11, and 12, the user interface saw significant advancements in not only project organization but also skeuomorphic design (making buttons and tools look like real-world items with lighting, shading, and sometimes textures). It gave users incredible power in defining their own preferences in button shapes and shading, color coding, workspace architecture, and other intricate customizations. In May 2003 when Avid Adrenaline introduced HD editing and a resetting of the version numbering back to 1.0, work on improving the user interface continued.

With the release of Media Composer 5, the user interface saw a visual change. After extensive testing, the entire industry began discovering that skeuomorphic designs and other visual elements were causing drains on performance. For Media Composer, it was decided to scale-back the design and chase a "flatter" approach. Users who upgraded to this version were initially upset at the loss of customizability but were indeed satisfied with the noticeable reduction in interface lag. This design lasted through Media Composer and Symphony versions 5.0 through 2018.12.15.

By Media Composer 7, 8, and 2018, there was a consistent outcry from customers asking Avid to upgrade the overall interface. The consistent complaint was that it felt "old".

During 2018, Avid conducted extensive interviews, listening sessions, and ACA meetings with hundreds of users to absorb as much of their opinions as possible. Key outcomes from those sessions included needs for stronger organization abilities for bins (bin containers), tools and other interface elements that could snap-to each other, a "paneled" interface that could mold itself to any screen size or configuration, and a means of toggling between the classic concept of Avid Workspaces in a newer, more accessible way (Workspace Toolbar). Another common complaint of the classic interface was its overall performance, which had laggy timeline behavior in comparison to other nonlinear edit systems (NLEs). While the Media Composer team worked on the new user interface, the engineers and architecture team retooled the underlying code and video engine. In June of 2019, Avid released Media Composer 2019.6 including a new user interface.[4]

Users saw consistent upgrades to the user interface throughout 2019, 2020, and 2021. As of late 2021, the majority of Media Composer users were subscription-based, and using the modern user interface.

The March 2023 version included a new template for a User Profile called "Transitioning from Adobe Premiere Pro". This configures Media Composer's existing interface and settings to reconfigure itself in such a way to somewhat resemble what they may be accustomed to seeing in Premiere Pro. The purpose is to help Premiere Pro users to operate smoothly in Media Composer. Since Premiere Pro is also compatible for use on Avid's NEXIS shared storage, this new feature is also being used heavily by facilities that have editors and assistants who use both NLE apps.[5]

The August 2023 version allowed customers who were hesitant to migrate from the comforts of the older 2018 version to finally do so. It included a new "Classic" User Profile, which takes many frequently-used settings from the 2018 interface and applies them to the modernized 2023 version. This way the interface was familiar, yet included all of the bug fixes and improvements made in the years since 2018. It also included new AI updates for the classic ScriptSync and PhraseFind options. The new ScriptSync AI and PhraseFind AI offered auto-transcription capabilities, faster workflows, and much more in-depth language support.[6]

Hardware

Hardware history

Media Composer as standalone software (with optional hardware) has only been available since June 2006 (version 2.5). Before that, Media Composer was only available as a turnkey system.

The 1990s

From 1991 until 1998, Media Composer 900, 1000, 4000 and 8000 systems were Macintosh-only, and based on the NuVista videoboard by Truevision. The first-release Avids (US) supported 640x480 30i video, at resolutions and compression identified by the prefix "AVR". Single-field resolutions were AVR 1 through 9s; interlaced (finishing) resolutions were initially AVR 21–23, with the later improvements of AVR 24 through 27, and the later AVR 70 through 77. AVR12 was a two-field interlaced offline resolution. Additionally, Avid marketed the Media Composer 400 and 800 as offline-only editors. These systems exclusively used external fast SCSI drives (interfaced through a SCSI accelerator board) for media storage. Avid media was digitised as OMFI (Open Media Framework Interchange) format.

In the mid-nineties, versions 6 and 7 of Media Composer 900, 1000, 8000 and 9000 were based on the Avid Broadcast Video Board (ABVB), supporting video resolutions up to AVR77. The video image was also improved to 720x480. 3D add-on boards (most notably the Pinnacle Alladin, externally, and the pinnacle genie pro board, internally, through special 100 pin bypass cable) and 16bit 48K 4-channel and 8-channel audio I/O (Avid/Digidesign 442 and Avid/Digidesign 888) were optional.

The 1998 introduction of the Avid Symphony marked the transition from ABVB to the Meridien hardware, allowing for uncompressed SD editing. This introduction was also the first version of Media Composer XL available for the Windows operating system. Many users were concerned that Avid would abandon the Mac platform, which they eventually did not do. Media Composer XL versions 8 through 12.0.5 (models MC Offline XL, MC 1000 XL, MC 9000XL) were built around Meridien hardware. Compression options were expressed in ratios for the first time in the evolution of the product. Even though the video board had changed, the audio I/O was still handled by the Avid/Digidesign 888 (16bit 48K) hardware. At this time, 16x9 aspect ratios began to be supported.

The 2000s

Avid Media Composer Meridien was released through November 2003.

In 2003, Avid Mojo and Avid Adrenaline formed the new DNA (Digital Non-linear Accelerator) hardware line. The launch of Avid Media Composer Adrenaline brought along a software version renumbering, as it was labeled Avid Media Composer Adrenaline 1.0. At this time, Avid began using MXF (Material Exchange Format) formatting for media files. Avid products maintain compatibility with OMFI files.

Adrenaline was the first Media Composer system to support 24bit audio. It also meant the end of Film Composer and Media Composer Offline, since the Avid Media Composer Adrenaline featured most of the film options and online resolutions and features. From this point onward, Avid systems have supported media storage using SCSI, PCI-e, SATA, IEEE 1394a & b, Ethernet and fiberoptic interfaces.

In 2006, Media Composer 2.5 was the first version to be offered 'software-only', giving the user the option of purchasing and using the software without the additional cost of the external accelerators. Software-only Avid setups could use third-party breakout boxes, usually interfaced via FireWire, to acquire video from SDI and analog sources.

In 2008, the Mojo DX and Nitris DX were introduced, replacing the Adrenaline. Both are capable of handling uncompressed HD video, with the Nitris DX offering greater processing speed and input/output flexibility.

Third-party supported breakout I/O hardware

Starting with Media Composer 6, a new Open IO API allowed third-party companies to interface their hardware into Media Composer. AJA Video Systems, Blackmagic Design, Matrox, BlueFish and MOTU are supporting this API. Avid's own DX hardware is still natively interfaced into the application which currently allows some extra features that Open IO is limited in (LTC timecode support for example). It is expected that over time some of these missing APIs will be added.

AJA IO Express: Starting with Media Composer 5.5, introduced support for the AJA IO Express interface. This interface will allow SD/HD input and output via SDI and HDMI. It also has analog video and audio outputs for monitoring. It connects to a computer via PCIe or ExpressCard/34 interface.

Matrox MXO2 Mini: Starting with Media Composer 5, Avid introduced support for the Matrox MXO2 Mini interface, as a breakout box with no additional processing. While this interface does have input connections, only output is supported by Media Composer v5.x, starting with Media Composer v6.x you can capture with this interface. The connections on the unit support analog video/audio and HDMI in both SD and HD formats. The device is connected by a cable to either a PCIe card or ExpressCard/34 interface, so this unit can be used on either desktop or laptop computers.

Avid Media Composer compatible hardware is manufactured by AJA Video Systems, Blackmagic Design, BlueFish, Matrox and MOTU.

Discontinued breakout I/O hardware

Avid systems used to ship with Avid branded I/O boxes, like Mojo, Adrenaline and Nitris. In recent years, Avid ceased to produce their own hardware, instead collaborating with companies like Blackmagic Design and AJA, releasing customized Avid-branded I/O boxes, like the Artist DNxIO, DNxIQ and DNxIV. As of December 31 2022, Avid stopped selling Artist DNx series I/O hardware and discontinued the product line.[7] Web site: Learn & Support . 26 March 2024 . 26 March 2024 . https://ghostarchive.org/archive/kqlQd . Avid Technology . live. Avid no longer manufacture or sell breakout I/O hardware.

Discontinued Third-party software

Some boxed versions of Media Composer came with the following third party software:

Revisions and features

DateOperating systemVersionDescription
1989MacintoshAvid/1
  • First release
  • Serial #001 ships to Alan Miller @ Rebo Studios in June on a Mac IIx
  • Jeff Bernstein becomes second editor on the Avid
1992Macintosh
  • Avid Film Composer
  • True 24-frame capture, editing, and playback
  • Open Media Framework (OMF), introduced in April
Jan 1993Macintosh
  • Model 210 (unbundled) ($15,000)
  • Model 220 (with Mac IIci) ($24,900)
Dec 1994Macintosh5.2
  • AVR27
  • Multicamera editing
  • Realtime chroma and luma keys
  • Avid Media Reader support
  • 3rd party Photoshop plugins support
Jul 1995Mac OS 7.55.5
  • Film Cutter (simplified version of Film Composer)
  • Hardware-independent QuickTime codec
  • 3D effects module
Sep 1995Mac OS 7.56.0
  • Macintosh 68K hardware support dropped
  • Based on the Avid Broadcast Video Board (ABVB) hardware
Mar 1996Mac OS 7.56.1
  • PCI-based system
Dec 1996Mac OS 7.56.5
  • Script-based editing
  • AVR77
  • AVR9s
Feb 1998Mac OS 7.5 - 87.0
  • Models like MC 1000 ($66,500) and MC 8000 ($94,625)
  • Paint
  • Animatte
  • AVX plugins
  • Spot color correction
  • Image cloning
  • Intraframe Editing
  • AudioSuite plugins
1999Mac OS 7.6 – 8.67.2Last version based on the ABVB hardware.
1999Mac OS 8.58.0
  • Meridien hardware based
  • ABVB hardware support dropped
  • Uncompressed SD video support
  • Media Composer XL
1999Windows9.0
  • Meridien hardware based
2000Mac OS 9, Windows10.0
  • SD 24p support on Mac
2001Mac OS 9, Windows10.5
2002Mac OS 9, Windows11.0
  • Marquee (Windows only)
  • DV support (option)
Feb 2003macOS11.7
  • MetaSync
  • Introduction of 23.976 SD editing (11.5 for Windows, and 11.8 for OSX)
May 2003macOS, Windows1.0
  • Based on the Adrenaline hardware
Nov 2003macOS, Windows12.0
  • Last version based on the Meridien hardware
Sept 2004macOS, Windows1.5
  • MXF support
  • Marquee on Mac
Dec 2004Windows2.0
  • HD support
  • HD-SDI I/O with DNxcel card option
  • 10-bit video support
  • SpectraMatte keyer
  • AVX2
March 2005Windows2.1
  • P2 support
  • XDCam support
Dec 2005Windows2.2
  • HDV support
June 2006macOS, Windows2.5
  • No longer hardware based
  • HD support on Mac
  • Media Composer soft
  • Mojo and Mojo SDI support
  • XDCam HD
  • Tracker
Sept 2006macOS, Windows2.6
  • Interplay
  • Safe Color Limiter effect
March 2007macOS, Windows2.6.4
  • DNxHD36
  • Low-bandwidth HD compression rate for offline editing
May 2007macOS, Windows2.7
  • MacPro (Intel) support
  • ScriptSync
  • P2/XDCam writeout
Dec 2007macOS, Windows2.8
  • VC-1/MXF (SMPTE 421M) support
  • ASC CDL metadata support
June 2008macOS, Windows3.0
  • 'DX' hardware support
  • new render engine (better multi-threading and GPU support)
  • RT timecode generator
  • SubCap effect
  • AVC-I codec support
Sept 2008macOS, Windows3.05
  • XDCAM 50mb format
  • DNA hardware on Mac OS X 10.5.5
  • RED workflow support
Dec 2008macOS, Windows3.1
  • Video Satellite option for Pro Tools (Windows only)
March 2009macOS, Windows3.5
  • Avid Media Access (AMA) for better file based workflows
  • FluidStabiliser
  • Keyframeable color correction
  • Native XDCAM EX support
  • Timecode in QuickTime files
  • basic stereoscopic 3D support
  • Software Activation
  • 14-day Downloadable Trial
Sept 2009macOS, Windows4.0
  • Mix and Match frame rates on timeline
  • Expert Decompose
  • AVC-I writeout
  • Macintosh Video Satellite support
  • 1080p24 (not-PsF) output
  • HD Ancillary data support on DX hardware
  • GFCAM 50mb/100mb support
  • Stereoscopic enchantments
  • Updated 3rd party software bundle
Nov 2009macOS, Windows4.0.4
  • Mac OS X 10.6.3 Snow Leopard support
June 2010macOS, Windows5.0
  • Windows 7 support
  • AMA support for RED
  • QuickTime and Canon cameras
  • Matrox MXO2 Mini output
  • SmartTool 'drag & drop' editing
  • HD-RGB support
  • AVCHD import
  • SMPTE 436M support
  • RTAS audio plug-in support
March 2011macOS, Windows5.5.1
  • AJA Video Systems Io Express hardware support
  • HDCAM SR Lite native editing
  • AVC-Intra codec module for Nitris DX
  • PhraseFind option
  • Support for EUCON hardware interfaces
  • SmartTool improvements
  • ScriptSync dropped from the trial version
August 2011macOS, Windows5.5.3
  • Mac OS X 10.7 Lion support
  • Last version to support Windows XP
November 2011macOS, Windows6.0
  • Improved UI (more tabs & less modal)
  • Redesigned stereoscopic toolset
  • Open I/O (supports 3rd party video hardware)
  • 5.1/7.1 audio mixing support with interoperability with Pro Tools
  • RED EPIC and AVCHD support for AMA
  • Support for EUCON Artist hardware interface in the color corrector
  • DNxHD 4:4:4 format
  • ProRes encoding on OS X
  • Built-in Marketplace for purchase of stock footage and plug-ins
  • MetaSync dropped
September 2012macOS, Windows6.5
  • MXF AS-02 support
  • Remote editing via Interplay Sphere
  • Audio Punch-In with 3rd party hardware
  • 64 voice audio playback
  • AMA relink enhancements
  • DNxHD 100, SD JPEG 2K playback
  • Active Format Description metadata support
  • ProRes as a native codec
July 2013macOS, Windows7.0
  • FrameFlex
  • Source side LUTs
  • Managed AMA
  • Background file transcode
  • Waveform caching
  • Master audio fader
  • Avid Symphony sold as an optional package to Media Composer
September 2013macOS, Windows7.0.2
  • XDCAM EX 35 capture
  • Dynamic bin naming
December 2013macOS, Windows7.0.3
  • Setting to enable or disable frame blending in Motion Adapters
  • New Nvidia drivers support
7.0.7(maintenance release)
  • Bug fixes
  • This is the final release of Media Composer 7
May 2014macOS, Windows8.0.0
  • Monthly/annual subscription licensing support
  • Support agreement requirements for future updates
  • Avid Application Manager introduced
July 2014macOS, Windows8.1.0
  • Support for AAX-64 plug-ins
  • MXF OP1a export
  • Frame view border colors and icons
  • Filter out AMA media in Media Tool
  • Place a saved title in the timeline
  • Changes to dragging behaviors
  • Support for ARRI AMIRA camera
October 2014macOS, Windows8.2.0
  • Background rendering
  • Favorite bins
  • Select project window improvements
  • Quick filter bins in project window
  • Search for text in marker comment fields
  • Increase image cache for thumbnails
  • Warning for project frame rate changes
  • Application Manager updates
  • Support for copying DPX files to a DMF folder
December 2014macOS, Windows8.3.0
  • 2K & 4K resolution support
  • Rec. 2020 & DCI-P3 color space support
  • LUT management and LUT timeline effect
  • Support for high frame rates
  • DNxHR Avid codec introduced
  • Play and render in low res proxy mode
  • New Blue Titler for high-res projects replacing the title tool
  • Quick filter items in a bin
  • List tool replaces EDL Manager and FilmScribe applications
  • Color info tool
  • Support for DPX export
  • Additional column headings
  • Support for Avid's Artist Series DNxIO I/O hardware
March 2015macOS, Windows8.3.1
  • QuickTime Export for DNxHR
  • Support for XAVC-I UHD/4K
  • Export DNxHR as MXF OP1a
  • Media creation default change
  • Mac GPU support (certain effects can now be accelerated using GPU hardware on Mac systems.)
January 2016macOS, Windows8.5.0
June 2016macOS, Windows8.6.0
  • Source browser
  • Native support for Panasonic AVC-LongG
  • Audio ducking
  • New ways to select segments in timeline
  • Create sequence based on timeline selection
  • Nested AudioSuite effects
  • Audio grouping
  • Default pan now baked in
  • SMPTE channel order
  • Red plugin update
  • Export with mask margins
  • Timeline clip comments in timecode generator
  • Updates to DNxIO
December 2016macOS, Windows8.7.0
  • List tool changes
  • Audio dupe detection
  • Extended audio punch in
  • Sony XAVC LongG
  • New safe area and safe title options
  • Rotation presets in FrameFlex
  • Controlling which track is shown in split view
  • Audio default pan
  • Timecode burn-in effect local frame count
  • Bin enhancements
February 2017macOS, Windows8.8.0
  • Timeline clip notes
  • Frame cache for effects
  • ScriptSync v2.0
  • PhraseFind v2.0
  • Bin sharing on non-Avid storage
  • Change to find window
  • Change to script Window
August 2017macOS, Windows8.9.0
  • Custom Quicktime export audio enhancements
  • AAC support in Avid generic plug-in
  • Support for Sony XAVC_L 1080p format
  • Audio slip
  • Source browser enhancements
  • Source/record colors
  • Automatically open effect editor when adding effect
  • Pre- and post-roll in CC mode
  • Position bar snap
  • Audio mixer redesign
  • Support for hi-res monitors
  • Generate LTC on playback
  • Remote client offset
  • Update to custom safe action/safe titling setting
  • Color adapter and FrameFlex icon update
December, 2017macOS10.13.2 High Sierra

10.12.6 Sierra

10.11.6 El Capitan

10.10.5 Yosemite

Windows

10 Pro/Ent

8.1 Pro/Ent

7 Pro SP1

8.10
  • New Feature: Syncing based on Waveform Analysis
  • New devices supported
  • Bug fixes
  • Note: This is the final release in the Media Composer 8 series
January 2018macOS, Windows2018.1Avid changed the version numbering starting in January 2018
July 2018macOS, Windows2018.7
  • 16K project presets
  • Live timeline
  • High frame rate support (100, 119.88, 120 fps)
  • Newtek NDI video over IP support
  • BXF file support
August 2018macOS, Windows2018.8
  • Exporting to AVC-I Op1A
  • HDR to SDR conversion features
  • Avid generic plugin
September 2018macOS, Windows2018.9
  • DNxUncompressed
October 2018macOS, Windows2018.10
  • AVC-LongG support
December 2018macOS10.14.2 Mojave

10.13.6 High Sierra

10.12.6 Sierra

Windows

10 Pro/Ent

8.1 Pro/Ent

7 Pro SP1

2018.12
  • First release that includes Avid Titler+
  • Shape-based color correction (Symphony)
  • Editing group clips
  • Swap camera bank
  • Waveform sync inside of the Timeline
  • Background bin auto-save
  • 64 tracks of video
  • Change audio source track in timeline
  • Note: Support for El Capitan and Yosemite dropped
January 2019macOS, Windows2018.12.1
  • Avid Link introduced, replacing Avid Application Manager
  • New Feature: effects can now be added to Timeline via in/out points
  • Upgrades to Titler+
  • Bug fixes
April 2019macOS, Windows2018.12.3 through 2018.12.11Bug fixes
June 2019macOS, Windows2019.6
  • New user interface
  • Distributed processing option
  • MXF Op1A media creation & mixdown
  • OpenEXR support
  • IMF support
  • 32bit floating-point quality
  • Support for ACES Workflows
  • Dynamic relink across frame rates
July 2019macOS, Windows2019.7Bug fixes
August 2019macOS, Windows2019.8
September 2019macOS, Windows2019.9UI improvements
November 2019macOS, Windows2019.11Bug fixes
January 2020macOS, Windows2019.12.1Bug fixes
April 2020macOS, Windows2020.4
  • Catalina support
  • ProRes export (also on PC)
  • Universal Media Engine (UME)
  • Bulk edit
  • Strip silence
  • ACES output transforms
  • DNxHD codec flavors renamed
May 2020macOS, Windows2020.5Bug fixes
June 2020macOS, Windows2020.6
  • Variable-frame-rate media support
August 2020macOS, Windows2020.8Bug fixes
September, 2020macOS:Catalina 10.15.7

Mojave 10.14.6

High Sierra 10.13.6

Windows 10 v.1809

for Pro/Enterprise

2020.9
  • Find and Replace (for editing text in bins)
  • New profile support for Bulk Edit feature
  • "Select Font" now includes Launch Window and Source Browser
  • New darker UI skin (Interface Brightness setting)
  • Quality Settings change for Mixdowns
  • Many bug fixes
October, 2020macOS:Catalina 10.15.7

Mojave 10.14.6

High Sierra 10.13.6

Windows 10 v.1809

for Pro/Enterprise

2020.10New ability to link to ProRes RAW files
December, 2020macOS:Big Sur 11.1

Catalina 10.15.7

Mojave 10.14.6

High Sierra 10.13.6

Windows 10 v.1809

for Pro/Enterprise

2020.12
  • New macOS Big Sur support
  • New Audio Mixer UI
  • New ability to map Audio Mixer's Fast Menu items to buttons
  • Interface update: Timeline background can be adjusted manually (full 0,0,0 black, etc)
  • Transcoding of alpha mattes
  • H.265 support
  • Export Media Difference Between Sequences
  • Updates to Avid Titler+
  • New feature: Drag bin contents into the Project Tool and Sidebars
  • Floating Panel Windows allows tools to be containerized
  • Additional languages for ScriptSync and PhraseFind
  • Huge list of bug fixes
2020.12.1(maintenance release)Bug fixes
2020.12.2(maintenance release)Bug fixes
2020.12.3(maintenance release)
  • Distributed Processing now supported
  • Bug fixes
February, 2021macOS:Big Sur 11.1

Catalina 10.15.7

Mojave 10.14.6

High Sierra 10.13.6

Windows 10 v.1809

for Pro/Enterprise

2021.2Bug fixes
March, 2021macOS:Big Sur 11.2.3 & 11.1

Catalina 10.15.7

Mojave 10.14.6

High Sierra 10.13.6

Windows 10 v.1909

for Pro/Enterprise

2021.3
  • Many interface upgrades
  • New interface Highlight Colors
  • "Sync Lock All" button now mappable
  • New Feature: advancements in moving clips in Timeline with keyboard
  • "Group Clip Name" now an option in Timeline Clip Text
  • "Find Bin" now a RT-click directly on a clip in Timeline
  • Farsi language now supported in ScriptSync and PhraseFind
  • Updates to Titler+
  • New IMF workflows
May, 2021macOS:

Big Sur 11.2.3 & 11.1

Catalina 10.15.7

Mojave 10.14.6

High Sierra 10.13.6

Windows 10 v.1909

for Pro/Enterprise

2021.5
  • Bug fixes
  • Fixes some issues with H.264 handling
June, 2021macOS:Big Sur 11.4.0, 11.3.1,

11.2.3 & 11.1

Catalina 10.15.7

Mojave 10.14.6

High Sierra 10.13.6

Windows 10 v.1909

for Pro/Enterprise

2021.6
  • New feature: Go To Next Event and Go To Previous Event
  • New Feature: Bin Status Bar added Duration
  • New Feature: Dragging clips into closed folders in Project Tool / Sidebars
  • Performance enhancement: Improved scrolling in the Timeline
  • New interface feature: "Save Single-Floating Bin Containers in Workspace"
  • New interface feature: Workspaces now save as "Last Known" versus "Last Saved"
  • Updates to Titler+Updates to Distributed Processing
  • Updates to Media Composer
Enterprise
  • Bug fixes
September, 2021macOS:Big Sur 11.x - 11.5.x

Catalina 10.15.7

Mojave 10.14.6

Windows 10 v.1909

for Pro/Enterprise

2021.9
  • New feature: Bin columns can now be resized manually by dragging
  • Feature adjustment: "Move Clip Leaves Filler" now a checkable option in menu
  • Bug Fixes
December, 2021macOS:Monterey 12.1.0

Big Sur 11.x - 11.5.x

Catalina 10.15.7

Mojave 10.14.6

Windows 11 21H2

Windows 10 2004

for Pro/Enterprise

2021.12
  • Support for M1, M1 Pro, M1 Max
  • Support for Windows 11, macOS Monterey, and all Big Sur versions
  • Feature Update: Rendering AudioSuite Effects
  • Feature Update: SubCap Font Support
  • UI Improvement: Dockable Tool Palettes
  • New Feature: Increased Track Limit (99 video and 99 audio tracks)
  • New Feature: Snap to Grid in Bin Frame View
  • Feature Update: HW/SW Context Menu
2020.12.6(Maintenance release)Bug fixes.
April, 2022Mac OS X12.012.3.1 Monterey

11.x11.6.x Big Sur

10.15.7 Catalina

Windows 11 64-bit 21H2 or later Pro and Ent

Win 10 64-bit v2004 or later Pro and ENT

2022.4
  • Command Palette Quick Find
  • Open IO Support for SRT
  • Interlaced Format Support for NDI
  • Avid Titler+ Updates
July, 2022Mac OS X12.x up to 12.5.1 Monterey

11.x up to 11.6.x Big Sur

10.15.7 Catalina

Win 11 64b 21H2 or later Pro and Ent

Win 10 64-bit v2004 or later Pro and ENT

2022.7
  • New Match Frame Results for Group and MultiGroup Subclips
  • Custom Workspaces for Multiple Monitor Configurations
  • New Keyboard Mapping Options for Adobe Premiere Pro and DaVinci Resolve (a great way to help folks with muscle memory in many NLE apps out there)
  • Text Justification Relative to Anchor Point in Titler+
  • Select Filler with Segment Tools Added to the Timeline Menu
  • Timeline Clip Notes Display for Nested Clips
  • New design of the Enablers (the selectables in things like the Effect Editor)
  • Avid Titler+ Updates
October, 2022Mac OS X12.x up to 12.5.1 Monterey

11.x up to 11.6.x Big Sur

10.15.7 Catalina

Win 11 64b 21H2 or later Pro and Ent

Win 10 64-bit v2004 or later Pro and ENT

2022.10
  • Working with Proxy Media in an Avid NEXIS
EDGE Environment
  • Media Cache Dialog Update
  • Multiplex I/O Support for Multiple Open I/O Plug-ins
  • New Relink Menu and Linked Media Dialog
  • New Sequence Templates and User Setting
  • “Choose For Me” Options Added for New Projects
  • Keyboard Shortcuts to Switch Focus Between Windows and Tabs
  • Bin Metadata Tooltips
  • FreeType Font Support for Titler+
  • Support for Two or More Ganged Groups in the Audio Mixer
  • Dongles not supported for macOS beginning with Monterey
December 2022Mac OS X13.0 - 13.1 Ventura

12.x - 12.5.1 Monterey

11.x up to 11.6.x Big Sur

10.15.7 Catalina

Win 11 64b 21H2 or later Pro and Ent

Win 10 64-bit v2004 or later Pro and ENT

2022.12
  • Export Pro Tools Session
  • Support for Avid MBOX Studio
  • Mounting UNC Drives in Media Composer
  • Go to Previous Selected Clip and Go to Next Selected Clip
  • Creation Date Column Added to Markers Window
  • Bin Map - state change
  • Lassoing Bins and Folders in the Bin Container Sidebar
  • Dragging from Any Column in a Bin
  • Ignore Multichannel Audio Layout From File
  • Dongles not supported for macOS beginning with Monterey[9]
March 2023macOS13.2.1 Ventura

12.6.x Monterey

11.7 Big Sur

10.15.7 Catalina

Win 11 64-bit 21H2, 22H2, or later Pro and Ent

Win 10 64-bit 20H1, 20H2, 22H2, or later Pro and ENT

2023.3[10] [11] 2023.3.1 (Mac only)[12]
  • New User Profile and Workspaces to help editors that are transitioning to MC from Premiere
  • Improvements to Pro Tools Session Export
  • New "Protect Project Bin" added to Bin Context Menu
  • NEXIS: Copy media from remote user to NEXIS Workspace
  • RT-Click to add a folder within a folder
  • Live Link support for UME
  • A Mac-only version (2023.3.1) was released to fix some Mac-specific bugs, including some that made advancements in Media Composer's Apple Silicon support.
  • Dongles not supported for macOS beginning with Monterey
August 2023macOS13.0 - 13.5 Ventura

12.6.x Monterey

11.7 Big Sur

10.15.7 Catalina

Win 11 64b 21H2, 22H2, or later Pro and Enterprise

Win 10 64-bit 20H1, 20H2, 22H2, or later Pro and Enterprise

2023.8The following are new for Media Composer v2023.8:• AI-Enhanced ScriptSync and PhraseFind

• Media Composer Classic User Profile and Workspace

• Panel SDK

• Audio Punch-in Using USB Audio Devices with Video Hardware

• Batch Subclip Tool

• Display Middle Composer Button Panel

• Changing Monitor Configuration Duplicates Current Workspaces

• Apply Sequence Template to an Existing Sequence

• Keyboard Shortcuts Added to Command Button Tooltips

• Clip Gain Extended to 36 dB in Media Composer

• “LFE Only” Mono Tracks

• Track Effect Bypass

• Device Selection for Desktop Audio Output

• Multi-Mix Tool Options Added to Pro Tools Session Export Settings

• GOP Options Added to XDCAM Export to Device

• Optimized EDL with Four Audio Tracks

Dongles not supported for macOS beginning with Monterey

December 2023macOS14.0 to 14.1.x Sonoma

13.x to 13.6.x Ventura

12.x to 12.7.x Monterey

11.x to 11.7.x Big Sur

10.15.7 Catalina

Windows 11 64-bit 21H1 or later (Professional and Enterprise)

Windows 10 64-bit 21H1 or later (Professional and Enterprise)

2023.12
  • Batch Subclip Tool Adds Support for Sequences
  • Export Transcript to Text File
  • Export to M4A Container with AAC File Format
  • QuickTime Import for Systems without QuickTime Installed
  • SRT Optimizations
  • PhraseFind AI and ScriptSync AI Fully Supported
  • Avid Huddle Support
  • Dongles not supported for macOS beginning with Monterey
February 2024macOS14.0 to 14.3.x Sonoma

13.x to 13.6.x Ventura

12.x to 12.7.x Monterey

Windows 11 64-bit 21H1 or later (Professional and Enterprise)

Windows 10 64-bit 21H1 or later (Professional and Enterprise)

2024.2
    • Transcription Database Available Across Multiple Projects
    • Export Transcript and Export SubCap from a Sequence
    • Speaker ID added to transcript Exports
    • Transcript Settings for Language Hint Selection
    • Display Source Track Name in Timeline
    • Public Preview: OpenTimelineIO (for VFX and online workflows)
June 2024macOS14.x to 14.5.x Sonoma

13.x to 13.6.x Ventura

12.x to 12.7.x Monterey

Windows 11 64-bit 22H2 or later (Professional and Enterprise)

Windows 10 64-bit 22H2 or later (Professional and Enterprise)

2024.6New features:

Better interoperability with Pro Tools

  • Import Pro Tools Session (PTXM) into Media Composer
  • Expanded Marker Colors (from 8 to 16) and Fields
  • Sub-frame automation for Volume and Pan controls

OpenTimeline:

  • Update to the Public Preview of OpenTimelineIO (OTIO) using List Tool

New transcription tools:

  • Transcription Tool - a new, live transcription window (requires PhraseFind)
  • Subclips and Groups - reference the Transcript for Master Clips
  • Manage Transcription of clips per bin

Notes and References

  1. American Cinema Editors (ACE) Board Honors Avid Media Composer . 2009-12-23 . dead . https://web.archive.org/web/20091212181817/http://www.avid.com/us/pressroom/ACE-honors-Media-Composer-as-preferred-choice-for-editors.aspx . 2009-12-12 . Universal City, California. 7 July 2009.
  2. Web site: Avid Universal Media Engine FAQ . 27 April 2020 . 26 March 2024 . https://ghostarchive.org/archive/jSWtc . live . 2023-08-27 . Avid Technology.
  3. Web site: What’s New in Media Composer 2022.12 . https://archive.today/20240326105502/https://before-www.avid.com/resource-center/whats-new-in-media-composer-2022-12 . 26 March 2024 . live . 28 December 2022 . Export Pro Tools sessions . 26 March 2024 . Avid Technology.
  4. Web site: What’s New for Avid® MediaComposer® v2019.6 . 26 March 2024 . 26 March 2024 . 1 July 2019 . Avid Technology . live . https://web.archive.org/web/20240326110122/https://resources.avid.com/SupportFiles/attach/WhatsNew_MediaComposer_v19.6.pdf . Updated User Interface.
  5. Web site: What’s New for Avid® Media Composer® v2023.3 . Avid Technology . User Profiles and Workspaces for Editors Transitioning from Adobe Premiere Pro . 21 March 2023 . 26 March 2024 . 26 March 2024 . live . https://web.archive.org/web/20240326102017/https://resources.avid.com/SupportFiles/attach/WhatsNew_MediaComposer_v23.3.pdf.
  6. Web site: What’s New for Avid® Media Composer® v2023.8 . 26 March 2024 . 10 November 2023 . live . https://web.archive.org/web/20231110145754/https://resources.avid.com/SupportFiles/attach/WhatsNew_MediaComposer_v23.8.pdf . 11 September 2023 . Media Composer Classic User Profile and Workspace . The new “Media Composer Classic” user profile brings forward some UI elements and settings from previous versions of Media Composer, such as v2018. These additions acknowledge the preferences of editors using legacy software and help facilitate the transition to the newest version of Media Composer. Changes include floating instead of paneled windows, as well as Composer and Timeline toolbars that are similar to legacy versions..
  7. Web site: Avid Artist DNx Series I/O Hardware End of Sale FAQ. https://web.archive.org/web/20240326100519/https://www.avid.com/learn-and-support/avid-artist-io . 26 March 2024 . live . Avid Technology . 21 March 2023 . 26 March 2024 .
  8. Web site: Avid End Of Life Dates . 9 February 2024 . Avid Technology . 26 March 2024 . 20 February 2024 . live . https://web.archive.org/web/20240220162310/https://avidtech.my.salesforce-sites.com/pkb/articles/en_US/faq/End-of-support-dates.
  9. Web site: live . 13 January 2023 . 26 March 2024 . 26 March 2024 . https://web.archive.org/web/20240326103054/https://resources.avid.com/SupportFiles/attach/WhatsNew_MediaComposer_v22.12.pdf . What’s New for Avid® Media Composer® v2022.12. Avid Technology .
  10. Web site: Avid Technology . https://web.archive.org/web/20240326102017/https://resources.avid.com/SupportFiles/attach/WhatsNew_MediaComposer_v23.3.pdf . 26 March 2024 . live . 21 March 2023 . What’s New for Avid® Media Composer® v2023.3 . 26 March 2024 .
  11. Web site: https://web.archive.org/web/20240326102004/https://resources.avid.com/SupportFiles/attach/README_Avid_Editor_v23.3.pdf . ReadMe for Media Composer® v2023.3 . 26 March 2024 . live . 22 November 2023 . 26 March 2024 . Avid Technology.
  12. Web site: ReadMe for Media Composer® v2023.3.1. 26 March 2024 . 25 June 2023 . https://web.archive.org/web/20230625100104/https://resources.avid.com/SupportFiles/attach/README_Avid_Editor_v23.3.1.pdf . live . 6 July 2023 . Avid Technology .