El Hijo del crack explained

El Hijo del crack
Director:Leopoldo Torre Nilsson and Leopoldo Torres Ríos
Producer:Armando Bo
Music:Alberto Gnecco and José Rodríguez Faure
Cinematography:Enrique Wallfisch
Editing:Rosalino Caterbeti
Studio:Sociedad Independiente Filmadora Argentina
Runtime:77 minutes
Country:Argentina
Language:Spanish

El Hijo del crack (meaning "Son of the Star"[1]) is a 1953 Argentine football drama film co-directed by Leopoldo Torre Nilsson and Leopoldo Torres Ríos[2] and starring Armando Bo and Oscar Rovito. The film, a tale of a dwindling professional football star and his son was released on December 15, 1953[3] [4] in Normandie cinema in Buenos Aires. The cast involved major professional football players of the time as Mario Boyé, Tucho Méndez and Ángel Labruna and journalists such as Fioravanti. It is the last film in which Leopoldo Torres Ríos and Leopoldo Torre Nilsson (father and son[5] [6]) worked together. The 77 minute film[7] was produced by Sociedad Independiente Filmadora Argentina (SIFA).

Plot

Mario Lopez (Oscar Rovito) is a child, the son of an aging footballer (Armando Bo) . On the one hand, while his father is disowned by supporters for being no longer physically able to play it, he tries to convince himself that this is a temporary decline and he will return to his former star status. On the other hand, his mother and his maternal grandfather, reject the world of football and the street, arguing that it is a primitive world and inadequate, isolating him. Only his son remains a major fan. Dying from a serious illness, he tries to please his fans once more and regain his legendary status.

Cast

Reception

The International Film Guide described the film as a "purely commercial work", unlike many of Torre Nilson's other films such as El Crimen de Oribe (1950) and later films which were more art films with attention to themes, plot and psychological aspects.[8] [9] Jorge Miguel Couselo in his 1984 book Historia del cine argentino remarked that "despite a poor script, [the film] showed seriousness" and praised the talent and performance by Oscar Rovito playing the son.[10] Ricardo Oliveri in his 1997 book Cine argentino: crónica de 100 años concurred that Rovito had contributed a good performance and described the film as an "agreeable product".[11] The Institute de Literatura Argentina highlighted the strong presence of the father and son in the film and noted its neorealist elements and charge.[12]

Notes and References

  1. Book: University of California, Berkeley. Film quarterly. 24 November 2011. 1966. University of California Press. 135.
  2. Book: Plazaola, Luis Trelles. South American cinema: dictionary of film makers. 24 November 2011. 1989. La Editorial, UPR. 978-0-8477-2011-8. 203.
  3. Book: Academia Nacional de Bellas Artes (Buenos Aires). Historia general del arte en la Argentina. 24 November 2011. 1988. Academia Nacional de Bellas Artes. 978-950-612-000-9.
  4. Web site: El hijo del crack (1953). Cinenacional. 24 November 2011.
  5. Book: Wakeman, John. World Film Directors: 1945-1985. 24 November 2011. 1987. H.W. Wilson. 978-0-8242-0763-2. 1111.
  6. Book: Cowie, Peter. 50 major film-makers. 24 November 2011. 1 December 1975. A. S. Barnes. 978-0-498-01255-6. 246.
  7. Web site: El Hijo del crack. Rotten Tomatoes. 24 November 2011.
  8. Book: Cowie, Peter. International film guide. 24 November 2011. 1967. Tantivy Press. 31.
  9. Book: Núbila, Domingo di. Historia del cine argentino. 24 November 2011. 1960. Edición Cruz de Malta; distribudores: Editorial Schapire.
  10. Book: Couselo, Jorge Miguel. Historia del cine argentino. 24 November 2011. 1984. Lectorum Pubns. 98. 9789502501055.
  11. Book: Oliveri, Ricardo García. Cine argentino: crónica de 100 años. 24 November 2011. 1997. Manrique Zago Ediciones. 99. 9789875090163.
  12. Book: Institute de Literatura Argentina "Ricardo Rojas.". Relecturas, reescrituras: articulaciones discursivas. 24 November 2011. 1999. Programa L.A.C.. 580. 9789879816400.