Cross Creek Pictures LLC | |
Type: | Private |
Founded: | 2009 |
Founder: | Timmy Thompson Tyler Thompson |
Industry: | Film |
Products: | Motion pictures |
Homepage: | crosscreekpictures.com |
Location City: | Los Angeles |
Location Country: | California |
Cross Creek Pictures is an American film production company founded in 2009 by Timmy Thompson and Tyler Thompson. Its first production was the acclaimed Black Swan (2010), which was followed by The Ides of March (2011), The Woman in Black (2012) and Rush (2013).
In September 2011, Cross Creek signed a deal with Universal Pictures, where the studio would release at least six productions for the company over the following three years.[1] In November 2015, Cross Creek signed a new three-year, multifaceted co-financing, production and distribution deal with Sony Pictures.[2]
This is the list of films produced or financed by Cross Creek.
Released films | ||||||||
---|---|---|---|---|---|---|---|---|
Year | Film | Director | Distributor | Notes | Budget | Gross | RT | |
2010 | Black Swan | co-production with Protozoa Pictures, Phoenix Pictures and Dune Entertainment | $13 million | $329.4 million | 85%[3] [4] | |||
2011 | The Ides of March | Sony Pictures Releasing | co-production with Columbia Pictures, Smokehouse Pictures, Appian Way Productions and Exclusive Media | $12.5 million | $76 million | |||
2012 | The Woman in Black | CBS Films | co-production with Alliance Films, Hammer Films, UK Film Council, Talisman Films, Exclusive Media, Filmgate and Film i Väst | $15 million | $127 million | 66%[5] | ||
Arthur Newman | Dante Ariola | co-production with Vertebra Films | $207,853 | 20%[6] | ||||
Aftershock | Dimension Films/RADiUS-TWC | co-production with Dragonfly Entertainment | $2 million | $58,510 | 37% | |||
2013 | Rush | Universal Pictures | co-production with Exclusive Media, Working Title Films, Imagine Entertainment and Revolution Films | $38 million | $98.2 million | 89%[7] | ||
The Young and Prodigious T.S. Spivet | co-production with Epithète Films, Filmarto, France 2 Cinéma, Orange Cinéma Séries and Tapioca Films | $9.5 million | 79%[8] | |||||
2014 | A Walk Among the Tombstones | Universal Pictures | co-production with Endgame Entertainment, 1984 Private Defense Contractors, Exclusive Media, Jersey Films and Double Feature Films | $23 million | $62.1 million | 66% | ||
Clown | co-production with PS 260, Vertebra Films, Zed Filmworks, Method Studios and Dragonfly Entertainment | $1.5 million | $2.1 million | 45%[9] | ||||
2015 | Everest | Universal Pictures | co-production with Walden Media and Working Title Films | $55 million | $203.4 million | 73%[10] [11] | ||
Black Mass | co-production with RatPac Entertainment, Le Grisbi Productions, Head Gear Films and Vendian Entertainment | $53 million | $99.8 million | |||||
Legend | Universal Pictures | co-production with StudioCanal, Anton Capital Entertainment, Prime Video and Working Title Films | $20 million | $43 million | 61%[12] | |||
2016 | Pride and Prejudice and Zombies | Sony Pictures Releasing | co-production with Screen Gems, Sierra Pictures, MadRiver Pictures, QC Entertainment, Allison Shearmur Productions, Handsomecharlie Films and Head Gear Films | $28 million | $16.4 million | 43%[13] | ||
Hacksaw Ridge | co-production with Summit Entertainment, Demarest Media, Pandemonium Films, Permut Presentations and Vendian Entertainment | $40 million | $175.3 million | 85%[14] | ||||
2017 | American Made | Universal Pictures | co-production with Imagine Entertainment, Quadrant Pictures and Vendian Entertainment | $50 million | $134.9 million | 86%[15] | ||
Flatliners | Sony Pictures Releasing | co-production with Columbia Pictures, Further Films, Laurence Mark Productions and The Safran Company | $19 million | $45.2 million | 4%[16] | |||
Roman J. Israel, Esq. | co-production with Columbia Pictures, MACRO, Topic Studios, Bron Studios, The Culture China/Image Nation Abu Dhabi Content Fund and Escape Artists | $22 million | $13 million | 51%[17] | ||||
2018 | The Vanishing | Kristoffer Nyholm | Lionsgate | co-production with Mad As Birds, Kodiak Pictures, G-BASE, iWood Studios | $1.2 million | 85%[18] | ||
2020 | Bloodshot | David S.F. Wilson | Sony Pictures Releasing | co-production with Columbia Pictures, Bona Film Group, Original Film, Valiant Entertainment and One Race Films | $49 million | $29.2 million | 30% | |
The Tax Collector | $30 million | $942,666 | 17%[19] | |||||
The Trial of the Chicago 7 | Aaron Sorkin | Netflix | co-production with Paramount Pictures, DreamWorks Pictures, Marc Platt Productions and Amblin Partners | $35 million | $104,048 | 94%[20] | ||
2022 | The Pale Blue Eye | co-production with Streamline Global Group | $72 million | $129,928 | 64% | |||
2023 | Jeremy Zag | co-production with The Awakening Production and SND | $86 million | $17.4 million | 40%[21] |