Charles Tidler (born 1946) is an American–Canadian writer. He is a poet, small press publisher, playwright, novelist and spoken jazz artist. He is most noted for his early theatrical plays Straight Ahead and Blind Dancers[1] and his later novels Going to New Orleans and Hard Hed: The Hoosier Chapman Papers.
Born Charles Lewis Amstutz in Bluffton, Ohio on April 23, 1946, his surname was changed to Tidler on April 19, 1950. Raised in Tipton, Indiana, he studied literature and philosophy at Purdue University, where his mentors included Barriss Mills, William H. Gass and May Swenson. Tidler founded the poetry magazine Wordjock while at Purdue.[2]
Moving to British Columbia in 1969, Tidler settled on Salt Spring Island. He pursued an apprenticeship in poetry and published small mimeo magazines under the imprint Orphan Presz.[3] With his new wife and son, Tidler moved to Vancouver in 1975. He became a typesetter, working at Arsenal Pulp Press[4] and also for George Payerle. Pulp published his book-length poem FLIGHT: The Last American Poem in 1976.[5] [6] Tidler has said, "The poetry, despite being unheralded, was and is my life and the reason I persisted as a writer. And the little mag scene is crucial to understanding my madness." In July 1977, Tidler moved to Comox, B.C., and in 1980 to a homesite near Merville, B.C.[7]
Encouraged by playwrights Tom Walmsley and Erika Ritter, and a workshop with Urjo Kareda, he wrote his first jazz play, Blind Dancers, a two-hander premiered by The New Play Centre at City Stage, Vancouver, in February 1979. Companion one-act play Straight Ahead, a jazz monologue by Ohio farm girl Louisa Potter at the edge of a threshing field on the day the atom bomb was dropped on Nagasaki, was produced by New Play Centre in April 1981.[8] Both plays, starring Rosemary Dunsmore and featuring Michael Hogan as her lover Dell,[9] directed by Henry Tarvainen,[10] were staged as an evening production by Toronto Free Theatre in May 1981, at the Toronto Theatre Festival. They were a success at the Edinburgh Fringe before returning to Toronto’s Berkeley Street Theatre in October.[11] [12] Straight Ahead and Blind Dancers continued to receive stagings in various theatre markets.[13] The plays had 36 productions in all, including a three-week run at Tricycle Theatre in London's West End and a tour in southern England.
Tidler also wrote teleplays and screenplays, and had 45 scripts produced by CBC Radio, including an adaptation of Antigone, dramatic portraits of Andy Warhol and August Strindberg, six tales from Nathaniel Hawthorne, four episodes of The Mystery Project, and Singers of the Floating Highway, an anthology of six poets on the road produced by Bill Lane.[14] [15] Tidler summarized, "I learned a lot writing radio plays, because of the range I was allowed by producers and the calibre of actors and musicians involved."
Tidler began a teaching career in 1986, and for six years was the visiting lecturer in playwriting at the University of Victoria.[16] In 1992 he was passed over for a permanent position in favour of Margaret Hollingsworth. His 1996 satire The Sex Change Artist, a critique of academic patriarchy and its control of affirmative action at the time, was controversial.[17] [18] It was produced by CBC Radio and for the stage by Victoria’s Intrepid Theatre. In spring 2001, Tidler returned to teaching playwriting at the University of Victoria, until his retirement there in fall 2015.
He continued to write stage plays, including The Farewell Heart,[19] The Butcher's Apron,[20] Fabulous Yellow Roman Candle,[21] Red Mango: a blues,[22] [23] Tortoise Boy,[24] and 7eventy 7even.[25] His 2000 play Red Mango was staged as a double bill with a 20th-anniversary revival of Blind Dancers.[16] Tidler stated, "Red Mango was a breakthrough, where I decided to hell with writing what people expected of me."
His debut novel Going to New Orleans was published by Anvil Press in 2004 to good reviews.[26] [27] [28] [29] Hard Hed: The Hoosier Chapman Papers, a retelling of the Johnny Appleseed[30] story, appeared in 2011,[31] followed by Useless Things [Redacted] in 2017.[32] [33] [34]
Straight Ahead and Blind Dancers were jointly shortlisted for the Governor General's Award for English-language drama at the 1981 Governor General's Awards[35] and won a Floyd S. Chalmers Canadian Play Award in 1982.[36]
A draft resister, Tidler was granted the status of Landed Immigrant in Canada at Sarnia, Ontario, on July 5, 1968. He was presented a Certificate of Canadian Citizenship in Vancouver, B.C., on April 9, 1976. He received a Motion to Dismiss Indictment for “failure to report” from the United States District Court, Indianapolis Division, and was granted a full pardon on February 7, 1977.
Moving to British Columbia in 1969, he settled on Salt Spring Island, got married and had a child. He lived on odd jobs and gardening. He and his wife refurbished an old double-ender fish boat into a live-aboard and explored the islands of the Georgia Strait during the summer of 1975.[37] The family moved to Vancouver later that year.
In July 1977, they moved to Comox, B.C., where his wife gave birth at home to a second son. In the summer of 1980, they built a small cabin, started a garden, and dug a well after their purchase of a six-acre woodlot close to Merville, B.C.
Since the summer of 1986, Tidler has made his home in Victoria, British Columbia.