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Marie-Alexis de Castillon de Saint-Victor (13 December 1838 – 5 March 1873) was a French composer.
Castillon was born in Chartres into an old aristocratic family from Languedoc. His parents initially intended him to pursue a military career, but Castillon gave up plans for professional soldiering in favour of music, which he learned first in his birthplace and then in Paris, where he studied piano and composition, initially with Charles Delioux. For composition, he attended the classes of Victor Massé and, from 1869, of César Franck at the Paris Conservatoire. Before his studies with Franck, he had completed his Opus 1, a piano quintet, probably inspired by the earlier example of his friend Camille Saint-Saëns.[1] Both the quintet and the later piano quartet Op. 7 follow Schumann's model.[2] He disavowed earlier efforts, including a symphony in F major, which he had written in 1865.
In fragile health at the best of times (volunteering during the War of 1870, he fell ill and was demobilized in 1871), he died of complications from fever in 1873 at age 34. His works include pieces for piano, chamber music, mélodies, a piano concerto, and other orchestral music. He was also active in Parisian musical life, in particular helping to create, in 1871, the Société Nationale de Musique, of which he was the first secretary.
I. Canon
II. Scherzo
III. Thème et Variations
IV. Gavotte
V. Marche
I. Prélude
II. Sicilienne
III. Sarabande
IV. Air (D major)
V. Fughette
I. Ballade
II. Ronde
III. Adagietto (F major)
IV. Fantaisie (D minor)
V. Saltarelle
I. (Liberamente) (E major)
II. (Non troppo vivo) (A major)
III. (Con fantasia) (C minor)
IV. (Comodo) (F major)
V. (Energico) (B major)
VI. (Vivo assai) (E major)
I. Aveu
II. Minuetto
III. Au bois
IV. Carillon
V. Compliment
VI. Première Mazurka
VII. Causerie
VIII. Fanfare
IX. Scherzo-Valse
X. Regrets
XI. Deuxième Mazurka
XII. Toccata
XIII. Marche des Français
XIV. Au revoir
XV. Feu follet
XVI. Bayadère
XVII. Chanson du cavalier
XVIII. Extase
XIX. Colombine
XX. Les Dragons
XXI. Scherzettino
XXII. Appel du soir
XXIII. Troisième Mazurka
XXIV. Aubade
I. Allegro
II. Scherzo
III. Adagio et final
I. (Allegro)
II. (Adagio molto lento - Allegro scherzando)
III. (Molto grave - Molto allegro)
I. Prélude et Andante
II. Scherzo
III. Romance
IV. Finale
I. (Allegro moderato)
II. (Allegro scherzando)
III. (Andante)
IV. (Allegro molto)
I. (Larghetto - Allegro deciso - Allegro)
II. (Scherzando)
III. (Larghetto, quasi marcia religiosa)
IV. Finale (Allegro)
I. (Allegro moderato)
II. (Allegretto non vivo) (B major)
III. (Scherzando vivace) (G minor)
IV. (Adagio - Allegro con fuoco - Molto expressivo senza rigore)
I. (Allegro moderato)
II. (Molto lento)
III. (Allegro con fuoco)
I. Introduction et Ronde
II. Tempo di Walzer
III. Sicilienne
IV. Menuet
V. Danse guerrière
I. Prélude
II. Gavotte
III. Allegretto
IV. Retour du Prélude et Finale
I. Sarabande
II. Air
III. Fughette
I. Le Bûcher
II. Le Semeur
III. Sonnet mélancolique
IV. La Mer
V. Renouveau
VI. Vendange